The Complete Works of William Shakespeare(Kobo/電子書)

Welcome to the Web's first edition of the Complete Works of William Shakespeare. This collection gathers together the works by William Shakespeare in a single, convenient, high quality, and extremely low priced.
Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare.

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRST AUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’S FIRST FOLIO IN THREE CENTURIES.

Skillfully assembled by Shakespeare’s fellow actors in 1623, the First Folio was the original Complete Works. It is arguably the most important literary work in the English language. But starting with Nicholas Rowe in 1709 and continuing to the present day, Shakespeare editors have mixed Folio and Quarto texts, gradually corrupting the original Complete Works with errors and conflated textual variations.

Now Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, have edited the First Folio as a complete book, resulting in a definitive Complete Works for the twenty-first century.

Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition will be indispensable to students, theater professionals, and general readers alike. Source: Wikipedia

About Author:

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright,Widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part-owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next, he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognized as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

The Complete Works of William Shakespeare
Contents
THE SONNETS

ALL’S WELL THAT ENDS WELL
Contents
Dramatis Personæ
SCENE: Partly in France, and partly in Tuscany.
ACT I
SCENE I. Rossillon. A room in the Countess’s palace.
SCENE II. Paris. A room in the King’s palace.
SCENE III. Rossillon. A Room in the Palace.
ACT II.
SCENE I. Paris. A room in the King’s palace.
SCENE II. Rossillon. A room in the Countess’s palace.
SCENE III. Paris. The King’s palace.
SCENE IV. Paris. The King’s palace.
SCENE V. Another room in the same.
ACT III.
SCENE I. Florence. A room in the Duke’s palace.
SCENE II. Rossillon. A room in the Countess’s palace.
SCENE III. Florence. Before the Duke’s palace.
SCENE IV. Rossillon. A room in the Countess’s palace.
SCENE V. Without the walls of Florence.
SCENE VI. Camp before Florence.
SCENE VII. Florence. A room in the Widow’s house.
ACT IV.
SCENE I. Without the Florentine camp.
SCENE II. Florence. A room in the Widow’s house.
SCENE III. The Florentine camp.
SCENE IV. Florence. A room in the Widow’s house.
SCENE V. Rossillon. A room in the Countess’s palace.
ACT V.
SCENE I. Marseilles. A street.
SCENE II. Rossillon. The inner court of the Countess’s palace.
SCENE III. The same. A room in the Countess’s palace.
[EPILOGUE]
ANTONY AND CLEOPATRA
Contents
Dramatis Personæ
SCENE: Dispersed, in several parts of the Roman Empire.
ACT I
SCENE I. Alexandria. A Room in Cleopatra’s palace.
SCENE II. Alexandria. Another Room in Cleopatra’s palace.
SCENE III. Alexandria. A Room in Cleopatra’s palace.
SCENE IV. Rome. An Apartment in Caesar’s House.
SCENE V. Alexandria. A Room in the Palace.
ACT II
SCENE I. Messina. A Room in Pompey’s house.
SCENE II. Rome. A Room in the House of Lepidus.
SCENE III. Rome. A Room in Caesar’s House.
SCENE IV. Rome. A street.
SCENE V. Alexandria. A Room in the Palace.
SCENE VI. Near Misenum.
SCENE VII. Onboard Pompey’s Galley, lying near Misenum.
ACT III
SCENE I. A plain in Syria.
SCENE II. Rome. An Ante-chamber in Caesar’s house.
SCENE III. Alexandria. A Room in the Palace.
SCENE IV. Athens. A Room in Antony’s house.
SCENE V. Athens. Another Room in Antony’s house.
SCENE VI. Rome. A Room in Caesar’s House.
SCENE VII. Antony’s Camp near the Promontory of Actium.
SCENE VIII. A plain near Actium.
SCENE IX. Another part of the Plain.
SCENE X. Another part of the Plain.
SCENE XI. Alexandria. A Room in the Palace.
SCENE XII. Caesar’s camp in Egypt.
SCENE XIII. Alexandria. A Room in the Palace.
ACT IV
SCENE I. Caesar’s Camp at Alexandria.
SCENE II. Alexandria. A Room in the Palace.
SCENE III. Alexandria. Before the Palace.
SCENE IV. Alexandria. A Room in the Palace.
SCENE V. Antony’s camp near Alexandria.
SCENE VI. Alexandria. Caesar’s camp.
SCENE VII. Field of battle between the Camps.
SCENE VIII. Under the Walls of Alexandria.
SCENE IX. Caesar’s camp.
SCENE X. Ground between the two Camps.
SCENE XI. Another part of the Ground.
SCENE XII. Another part of the Ground.
SCENE XIII. Alexandria. A Room in the Palace.
SCENE XIV. Alexandria. Another Room.
SCENE XV. Alexandria. A monument.
ACT V
SCENE I. Caesar’s Camp before Alexandria.
SCENE II. Alexandria. A Room in the Monument.
AS YOU LIKE IT
DRAMATIS PERSONAE.
SCENE: OLIVER'S house; FREDERICK'S court; and the Forest of Arden ACT I. SCENE I. Orchard of OLIVER'S house
SCENE II. A lawn before the DUKE'S palace
SCENE III. The DUKE's palace
ACT II. SCENE I. The Forest of Arden
SCENE II. The DUKE'S palace
SCENE III. Before OLIVER'S house
SCENE IV. The Forest of Arden
SCENE V. Another part of the forest
SCENE VI. The forest
SCENE VII. The forest
ACT III. SCENE I. The palace
SCENE II. The forest
SCENE III. The forest
SCENE IV. The forest
SCENE V. Another part of the forest
ACT IV. SCENE I. The forest
SCENE II. The forest
SCENE III. The forest
ACT V. SCENE I. The forest
SCENE II. The forest
SCENE III. The forest
SCENE IV. The forest
THE COMEDY OF ERRORS
Contents
Dramatis Personæ
SCENE: Ephesus
ACT I
SCENE I. A hall in the Duke’s palace.
SCENE II. A public place.
ACT II
SCENE I. A public place.
SCENE II. The same.
ACT III
SCENE I. The same.
SCENE II. The same.
ACT IV
SCENE I. The same.
SCENE II. The same.
SCENE III. The same.
SCENE IV. The same.
ACT V
SCENE I. The same.
THE TRAGEDY OF CORIOLANUS
SCENE: Rome and the neighborhood; Corioli and the neighborhood; Antium ACT I. SCENE I. Rome. A street
SCENE II. Corioli. The Senate House.
SCENE III. Rome. MARCIUS' house
SCENE IV. Before Corioli
SCENE V. Within Corioli. A street
SCENE VI. Near the camp of COMINIUS
SCENE VII. The gates of Corioli
SCENE VIII. A field of battle between the Roman and the Volscian camps
SCENE IX. The Roman camp
SCENE X. The camp of the Volsces
ACT II. SCENE I. Rome. A public place
SCENE II. Rome. The Capitol
SCENE III. Rome. The Forum
ACT III. SCENE I. Rome. A street
SCENE II. Rome. The house of CORIOLANUS
SCENE III. Rome. The Forum
ACT IV. SCENE I. Rome. Before a gate of the city
SCENE II. Rome. A street near the gate
SCENE III. A highway between Rome and Antium
SCENE IV. Antium. Before AUFIDIUS' house
SCENE V. Antium. AUFIDIUS' house
SCENE VI. Rome. A public place
SCENE VII. A camp at a short distance from Rome
ACT V. SCENE I. Rome. A public place
SCENE II. The Volscian camp before Rome
SCENE III. The tent of CORIOLANUS
SCENE IV. Rome. A public place
SCENE V. Rome. A street near the gate
SCENE VI. Corioli. A public place
CYMBELINE
Contents
Dramatis Personæ
SCENE: Britain; Italy.
ACT I
SCENE I. Britain. The garden of Cymbeline’s palace.
SCENE II. The same.
SCENE III. Britain. A public place.
SCENE IV. Britain. Cymbeline’s palace.
SCENE V. Rome. Philario’s house.
SCENE VI. Britain. Cymbeline’s palace.
SCENE VII. Britain. The palace.
ACT II
SCENE I. Britain. Before Cymbeline’s palace.
SCENE II. Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk in one corner.
SCENE III. Cymbeline’s palace. An ante-chamber adjoining Imogen’s apartments.
SCENE IV. Rome. Philario’s house.
SCENE V. Rome. Another room in Philario’s house.
ACT III
SCENE I. Britain. A hall in Cymbeline’s palace.
SCENE II. Britain. Another room in Cymbeline’s palace.
SCENE III. Wales. A mountainous country with a cave.
SCENE IV. Wales, near Milford Haven.
SCENE V. Britain. Cymbeline’s palace.
SCENE VI. Wales. Before the cave of Belarius.
SCENE VII. The same.
SCENE VIII. Rome. A public place.
ACT IV
SCENE I. Wales. Near the cave of Belarius.
SCENE II. Wales. Before the cave of Belarius.
SCENE III. Britain. Cymbeline’s palace.
SCENE IV. Wales. Before the cave of Belarius.
ACT V
SCENE I. Britain. The Roman camp.
SCENE II. Britain. A field of battle between the British and Roman camps.
SCENE III. Another part of the field.
SCENE IV. Britain. A prison.
SCENE V. Britain. Cymbeline’s tent.
THE TRAGEDY OF HAMLET, PRINCE OF DENMARK
Contents
Dramatis Personæ
SCENE. Elsinore.
ACT I
SCENE I. Elsinore. A platform before the Castle.
SCENE II. Elsinore. A room of state in the Castle.
SCENE III. A room in Polonius’s house.
SCENE IV. The platform.
SCENE V. A more remote part of the Castle.
ACT II
SCENE I. A room in Polonius’s house.
SCENE II. A room in the Castle.
ACT III
SCENE I. A room in the Castle.
SCENE II. A hall in the Castle.
SCENE III. A room in the Castle.
SCENE IV. Another room in the Castle.
ACT IV
SCENE I. A room in the Castle.
SCENE II. Another room in the Castle.
SCENE III. Another room in the Castle.
SCENE IV. A plain in Denmark.
SCENE V. Elsinore. A room in the Castle.
SCENE VI. Another room in the Castle.
SCENE VII. Another room in the Castle.
ACT V
SCENE I. A churchyard.
SCENE II. A hall in the Castle.
THE FIRST PART OF KING HENRY THE FOURTH
Dramatis Personæ
SCENE. England and Wales. ACT I SCENE I. London. A Room in the Palace.
SCENE II. The same. An Apartment of Prince Henry’s.
SCENE III. The Same. A Room in the Palace.
ACT II SCENE I. Rochester. An Inn-Yard.
SCENE II. The Road by Gads-hill.
SCENE III. Warkworth. A Room in the Castle.
SCENE IV. Eastcheap. A Room in the Boar’s-Head Tavern.
ACT III SCENE I. Bangor. A Room in the Archdeacon’s House.
SCENE II. London. A Room in the Palace.
SCENE III. Eastcheap. A Room in the Boar’s-Head Tavern.
ACT IV SCENE I. The Rebel Camp near Shrewsbury.
SCENE II. A public Road near Coventry.
SCENE III. The Rebel Camp near Shrewsbury.
SCENE IV. York. A Room in the Archbishop’s Palace.
ACT V SCENE I. The King’s Camp near Shrewsbury.
SCENE II. The Rebel Camp.
SCENE III. Plain between the Camps.
SCENE IV. Another Part of the Field.
SCENE V. Another Part of the Field.
THE SECOND PART OF KING HENRY THE FOURTH
SCENE: England
ACT I. SCENE I. Warkworth. Before NORTHUMBERLAND'S Castle
SCENE II. London. A street
SCENE III. York. The ARCHBISHOP'S palace
ACT II. SCENE I. London. A street
SCENE II. London. Another street
SCENE III. Warkworth. Before the castle
SCENE IV. London. The Boar's Head Tavern in Eastcheap
ACT III. SCENE I. Westminster. The palace
SCENE II. Gloucestershire. Before Justice, SHALLOW'S house
ACT IV. SCENE I. Yorkshire. Within the Forest of Gaultier
SCENE II. Another part of the forest
SCENE III. Another part of the forest
SCENE IV. Westminster. The Jerusalem Chamber
SCENE V. Westminster. Another chamber
ACT V. SCENE I. Gloucestershire. SHALLOW'S house
SCENE II. Westminster. The palace
SCENE III. Gloucestershire. SHALLOW'S orchard
SCENE IV. London. A street
SCENE V. Westminster. Near the Abbey
EPILOGUE EPILOGUE.
THE LIFE OF KING HENRY V
Contents
Dramatis Personæ
SCENE: England; afterward France.
PROLOGUE.
ACT I
SCENE I. London. An ante-chamber in the King’s palace.
SCENE II. The same. The presence-chamber.
ACT II
SCENE I. London. A street.
SCENE II. Southampton. A council-chamber.
SCENE III. London. Before a tavern.
SCENE IV. France. The King’s palace.
ACT III
SCENE I. France. Before Harfleur.
SCENE II. The same.
SCENE III. Before the gates.
SCENE IV. The French King’s palace.
SCENE V. The same.
SCENE VI. The English camp in Picardy.
SCENE VII. The French camp, near Agincourt.
ACT IV
SCENE I. The English camp at Agincourt.
SCENE II. The French camp.
SCENE III. The English camp.
SCENE IV. The field of battle.
SCENE V. Another part of the field.
SCENE VI. Another part of the field.
SCENE VII. Another part of the field.
SCENE VIII. Before King Henry’s pavilion.
ACT V
SCENE I. France. The English camp.
SCENE II. France. A royal palace.
EPILOGUE.
THE FIRST PART OF HENRY THE SIXTH
SCENE: England and France
ACT I. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
SCENE 6. ORLEANS
ACT II. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
ACT III. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
ACT IV. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
SCENE 6.
SCENE 7.
ACT V. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
THE SECOND PART OF KING HENRY THE SIXTH
SCENE: England ACT I. SCENE I. London. The palace
SCENE II. The DUKE OF GLOUCESTER'S house
SCENE III. London. The palace
SCENE IV. London. The DUKE OF GLOUCESTER'S garden
ACT II. SCENE I. Saint Albans
SCENE II. London. The DUKE OF YORK'S garden
SCENE III. London. A hall of justice
SCENE IV. London. A street
ACT III. SCENE I. The Abbey at Bury St. Edmunds
SCENE II. Bury St. Edmunds. A room of state
SCENE III. London. CARDINAL BEAUFORT'S bedchamber
ACT IV. SCENE I. The coast of Kent
SCENE II. Blackheath
SCENE III. Another part of Blackheath
SCENE IV. London. The palace
SCENE V. London. The Tower
SCENE VI. London. Cannon street
SCENE VII. London. Smithfield
SCENE VIII. Southwark
SCENE IX. Killing, worth Castle
SCENE X. Kent. Iden's garden
ACT V. SCENE I. Fields between Dartford and Blackheath
SCENE II. Saint Albans
SCENE III. Fields near Saint Albans
THE THIRD PART OF KING HENRY THE SIXTH
DRAMATIS PERSONAE
SCENE: England and France ACT I. SCENE I. London. The Parliament House
SCENE II. Sandal Castle, near Wakefield, in Yorkshire
SCENE III. Field of battle between Sandal Castle and Wakefield
SCENE IV. Another part of the field
ACT II. SCENE I. A plain near Mortimer's Cross in Herefordshire
SCENE II. Before York
SCENE III. A field of battle between Towton and Saxton, in Yorkshire
SCENE IV. Another part of the field
SCENE V. Another part of the field
SCENE VI. Another part of the field
ACT III. SCENE I. A chase in the north of England
SCENE II. London. The palace
SCENE III. France. The KING'S palace
ACT IV. SCENE I. London. The palace
SCENE II. A plain in Warwickshire
SCENE III. Edward's camp, near Warwick
SCENE IV. London. The palace
SCENE V. A park near Middleham Castle in Yorkshire
SCENE VI. London. The Tower
SCENE VII. Before York
SCENE VIII. London. The palace
ACT V. SCENE I. Coventry
SCENE II. A field of battle near Barnet
SCENE III. Another part of the field
SCENE IV. Plains wear Tewksbury
SCENE V. Another part of the field
SCENE VI. London. The Tower
SCENE VII. London. The palace
KING HENRY THE EIGHTH
DRAMATIS PERSONAE
SCENE:
KING HENRY THE EIGHTH THE PROLOGUE.
ACT I. SCENE 1.
ACT I. SCENE 2.
ACT I. SCENE 3.
ACT I. SCENE 4.
ACT II. SCENE 1.
ACT II. SCENE 2.
ACT II. SCENE 3.
ACT II. SCENE 4.
ACT III. SCENE 1.
ACT III.SCENE 2.
ACT IV. SCENE 1.
ACT IV. SCENE 2.
ACT V. SCENE 1.
ACT V. SCENE 2.
ACT V. SCENE 3.
ACT V. SCENE 4.
ACT V. SCENE 5.
KING_HENRY_VIII|EPILOGUE THE EPILOGUE.
KING JOHN
DRAMATIS PERSONAE
SCENE: England and France ACT I. SCENE 1
ACT II. SCENE 1
ACT III. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
ACT IV. SCENE 1.
SCENE 2.
SCENE 3.
ACT V. SCENE 1. England. KING JOHN'S palace
SCENE 2. England. The DAUPHIN'S camp at Saint Edmundsbury
SCENE 3.
SCENE 4.
SCENE 5.
SCENE 6.
SCENE 7.
THE TRAGEDY OF JULIUS CAESAR
Contents
Dramatis Personæ
SCENE: Rome, the conspirators’ camp near Sardis, and the plains of Philippi.
ACT I
SCENE I. Rome. A street.
SCENE II. The same. A public place.
SCENE III. The same. A street.
ACT II
SCENE I. Rome. Brutus’ orchard.
SCENE II. A room in Caesar’s palace.
SCENE III. A street near the Capitol.
SCENE IV. Another part of the same street, before the house of Brutus.
ACT III
SCENE I. Rome. Before the Capitol; the Senate sitting.
SCENE II. The same. The Forum.
SCENE III. The same. A street.
ACT IV
SCENE I. Rome. A room in Antony’s house.
SCENE II. Before Brutus’ tent, in the camp near Sardis.
SCENE III. Within the tent of Brutus.
ACT V
SCENE I. The plains of Philippi.
SCENE II. The same. The field of battle.
SCENE III. Another part of the field.
SCENE IV. Another part of the field.
SCENE V. Another part of the field.
THE TRAGEDY OF KING LEAR
Contents
Dramatis Personæ
SCENE: Britain.
ACT I
SCENE I. A Room of State in King Lear’s Palace.
SCENE II. A Hall in the Earl of Gloucester’s Castle.
SCENE III. A Room in the Duke of Albany’s Palace.
SCENE IV. A Hall in Albany’s Palace.
SCENE V. Court before the Duke of Albany’s Palace.
ACT II
SCENE I. A court within the Castle of the Earl of Gloucester.
SCENE II. Before Gloucester’s Castle.
SCENE III. The open Country.
SCENE IV. Before Gloucester’s Castle; Kent in the stocks.
ACT III
SCENE I. A Heath.
SCENE II. Another part of the heath.
SCENE III. A Room in Gloucester’s Castle.
SCENE IV. A part of the Heath with a Hovel.
SCENE V. A Room in Gloucester’s Castle.
SCENE VI. A Chamber in a Farmhouse adjoining the Castle.
SCENE VII. A Room in Gloucester’s Castle.
ACT IV
SCENE I. The heath.
SCENE II. Before the Duke of Albany’s Palace.
SCENE III. The French camp near Dover.
SCENE IV. The French camp. A Tent.
SCENE V. A Room in Gloucester’s Castle.
SCENE VI. The country near Dover.
SCENE VII. A Tent in the French Camp.
ACT V
SCENE I. The Camp of the British Forces near Dover.
SCENE II. A field between the two Camps.
SCENE III. The British Camp near Dover.
LOVE’S LABOUR’S LOST
SCENE: Navarre ACT I. SCENE I. Navarre. The King's park
SCENE II. The park
ACT II. SCENE II. The park
ACT III. SCENE I. The park
ACT IV. SCENE I. The park
SCENE II. The park
SCENE III. The park
ACT V. SCENE I. The park
SCENE II. The park
WINTER
MACBETH
Contents
Dramatis Personæ
SCENE: In the end of the Fourth Act, in England; through the rest of the Play, in Scotland; and chiefly at Macbeth’s Castle.
ACT I
SCENE I. An open Place.
SCENE II. A Camp near Forres.
SCENE III. A heath.
SCENE IV. Forres. A Room in the Palace.
SCENE V. Inverness. A Room in Macbeth’s Castle.
SCENE VI. The same. Before the Castle.
SCENE VII. The same. A Lobby in the Castle.
ACT II
SCENE I. Inverness. Court within the Castle.
SCENE II. The same.
SCENE III. The same.
SCENE IV. The same. Without the Castle.
ACT III
SCENE I. Forres. A Room in the Palace.
SCENE II. The same. Another Room in the Palace.
SCENE III. The same. A Park or Lawn, with a gate leading to the Palace.
SCENE IV. The same. A Room of state in the Palace.
SCENE V. The heath.
SCENE VI. Forres. A Room in the Palace.
ACT IV
SCENE I. A dark Cave. In the middle, a Cauldron Boiling.
SCENE II. Fife. A Room in Macduff’s Castle.
SCENE III. England. Before the King’s Palace.
ACT V
SCENE I. Dunsinane. A Room in the Castle.
SCENE II. The Country near Dunsinane.
SCENE III. Dunsinane. A Room in the Castle.
SCENE IV. Country near Dunsinane: a Wood in view.
SCENE V. Dunsinane. Within the castle.
SCENE VI. The same. A Plain before the Castle.
SCENE VII. The same. Another part of the Plain.
SCENE VIII. The same. Another part of the field.
MEASURE FOR MEASURE
DRAMATIS PERSONAE
SCENE: Vienna ACT I. SCENE I. The DUKE'S palace
SCENE II. A street
SCENE III. A monastery
SCENE IV. A nunnery
ACT II. Scene I. A hall in ANGELO'S house
SCENE II. Another room in ANGELO'S house
SCENE III. A prison
SCENE IV. ANGELO'S house
ACT III. SCENE I. The prison
Scene II. The street before the prison
ACT IV. Scene I. The moated grange at Saint Duke's
SCENE II. The prison
SCENE III. The prison
SCENE IV. ANGELO'S house
SCENE V. Fields without the town
SCENE VI. A street near the city gate
ACT V. SCENE I. The city gate
THE MERCHANT OF VENICE
Contents
Dramatis Personæ
SCENE: Partly at Venice, and partly at Belmont, the seat of Portia on the Continent
ACT I
SCENE I. Venice. A street.
SCENE II. Belmont. A room in Portia’s house.
SCENE III. Venice. A public place.
ACT II
SCENE I. Belmont. A room in Portia’s house.
SCENE II. Venice. A street.
SCENE III. The same. A room in Shylock’s house.
SCENE IV. The same. A street.
SCENE V. The same. Before Shylock’s house.
SCENE VI. The same.
SCENE VII. Belmont. A room in Portia’s house.
SCENE VIII. Venice. A street.
SCENE IX. Belmont. A room in Portia’s house.
ACT III
SCENE I. Venice. A street.
SCENE II. Belmont. A room in Portia’s house.
SCENE III. Venice. A street.
SCENE IV. Belmont. A room in Portia’s house.
SCENE V. The same. A garden.
ACT IV
SCENE I. Venice. A court of justice.
SCENE II. The same. A street.
ACT V
SCENE I. Belmont. The avenue to Portia’s house.
THE MERRY WIVES OF WINDSOR
SCENE: Windsor, and the neighbourhood ACT I. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
ACT II. SCENE 1.
SCENE 2.
SCENE 3.
ACT III SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
ACT IV. SCENE I.
SCENE 2.
SCENE 3.
SCENE 4
SCENE 5.
SCENE 6.
ACT V. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
A MIDSUMMER NIGHT’S DREAM
Contents
Dramatis Personæ
SCENE: Athens, and wood not far from it
ACT I
SCENE I. Athens. A room in the Palace of Theseus
SCENE II. The Same. A Room in a Cottage
ACT II
SCENE I. A wood near Athens
SCENE II. Another part of the wood
ACT III
SCENE I. The Wood.
SCENE II. Another part of the wood
ACT IV
SCENE I. The Wood
SCENE II. Athens. A Room in Quince’s House
ACT V
SCENE I. Athens. An Apartment in the Palace of Theseus
MUCH ADO ABOUT NOTHING
Contents
Dramatis Personæ
SCENE. Messina.
ACT I
SCENE I. Before Leonato’s House.
SCENE II. A room in Leonato’s house.
SCENE III. Another room in Leonato’s house.
ACT II
SCENE I. A hall in Leonato’s house.
SCENE II. Another room in Leonato’s house.
SCENE III. Leonato’s Garden.
ACT III
SCENE I. Leonato’s Garden.
SCENE II. A Room in Leonato’s House.
Scene III. A Street.
Scene IV. A Room in Leonato’s House.
Scene V. Another Room in Leonato’s House.
ACT IV
SCENE I. The Inside of a Church.
Scene II. A Prison.
ACT V
SCENE I. Before Leonato’s House.
SCENE II. Leonato’s Garden.
SCENE III. The Inside of a Church.
SCENE IV. A Room in Leonato’s House.
OTHELLO, THE MOOR OF VENICE
Contents
Dramatis Personæ
SCENE: The First Act in Venice; during the rest of the Play at a Seaport in Cyprus.
ACT I
SCENE I. Venice. A street.
SCENE II. Venice. Another street.
SCENE III. Venice. A council chamber.
ACT II
SCENE I. A seaport in Cyprus. A Platform.
SCENE II. A street.
SCENE III. A Hall in the Castle.
ACT III
SCENE I. Cyprus. Before the Castle.
SCENE II. Cyprus. A Room in the Castle.
SCENE III. Cyprus. The Garden of the Castle.
SCENE IV. Cyprus. Before the Castle.
ACT IV
SCENE I. Cyprus. Before the Castle.
SCENE II. Cyprus. A Room in the Castle.
SCENE III. Cyprus. Another Room in the Castle.
ACT V
SCENE I. Cyprus. A Street.
SCENE II. Cyprus. A Bedchamber in the castle.
PERICLES, PRINCE OF TYRE
Contents
Dramatis Personæ
SCENE: Dispersedly in various countries.
ACT I
SCENE I. Antioch. A room in the palace.
SCENE II. Tyre. A room in the palace.
SCENE III. Tyre. An ante-chamber in the Palace.
SCENE IV. Tarsus. A room in the Governor’s house.
ACT II
SCENE I. Pentapolis. An open place by the seaside.
SCENE II. The same. A public way, or platform leading to the lists. A pavilion by the side of it for the reception of the King, Princess, Lords, etc.
SCENE III. The same. A hall of state: a banquet prepared.
SCENE IV. Tyre. A room in the Governor’s house.
SCENE V. Pentapolis. A room in the palace.
ACT III
SCENE I.
SCENE II. Ephesus. A room in Cerimon’s house.
SCENE III. Tarsus. A room in Cleon’s house.
SCENE IV. Ephesus. A room in Cerimon’s house.
ACT IV
Scene I. Tarsus. An open place near the seashore.
Scene II. Mytilene. A room in a brothel.
SCENE III. Tarsus. A room in Cleon’s house.
SCENE IV.
SCENE V. Mytilene. A street before the brothel.
SCENE VI. The same. A room in the brothel.
ACT V
SCENE I. Onboard Pericles’ ship, off Mytilene. A close pavilion on deck, with a curtain before it; Pericles within it, reclined on a couch. A barge lying beside the Tyrian vessel.
SCENE II.
SCENE III. The temple of Diana at Ephesus; Thaisa standing near the altar, as high priestess; a number of Virgins on each side; Cerimon and other inhabitants of Ephesus attending.
THE LIFE AND DEATH OF KING RICHARD THE SECOND
Contents
Dramatis Personæ
SCENE: Dispersedly in England and Wales.
ACT I
SCENE I. London. A Room in the palace.
SCENE II. The same. A room in the Duke of Lancaster’s palace.
SCENE III. Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending.
SCENE IV. London. A Room in the King’s Castle
ACT II
SCENE I. London. An Apartment in Ely House.
SCENE II. The Same. A Room in the Castle.
SCENE III. The Wolds in Gloucestershire.
SCENE IV. A camp in Wales.
ACT III
SCENE I. Bristol. Bolingbroke’s camp.
SCENE II. The coast of Wales. A castle in view.
SCENE III. Wales. Before Flint Castle.
SCENE IV. Langley. The Duke of York’s garden.
ACT IV
SCENE I. Westminster Hall.
ACT V
SCENE I. London. A street leading to the Tower.
SCENE II. The same. A room in the Duke of York’s palace.
SCENE III. Windsor. A room in the Castle.
SCENE IV. Another room in the Castle.
SCENE V. Pomfret. The dungeon of the Castle.
SCENE VI. Windsor. An Apartment in the Castle.
KING RICHARD THE THIRD
SCENE: England
ACT I. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
ACT II. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
ACT III. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4
SCENE 5.
SCENE 6.
SCENE 7.
ACT IV. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
ACT V. SCENE 1.
SCENE 2.
SCENE 3.
SCENE 4.
SCENE 5.
THE TRAGEDY OF ROMEO AND JULIET
Contents
Dramatis Personæ
SCENE. During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua.
THE PROLOGUE
ACT I
SCENE I. A public place.
SCENE II. A Street.
SCENE III. Room in Capulet’s House.
SCENE IV. A Street.
SCENE V. A Hall in Capulet’s House.
ACT II
SCENE I. An open place adjoining Capulet’s Garden.
SCENE II. Capulet’s Garden.
SCENE III. Friar Lawrence’s Cell.
SCENE IV. A Street.
SCENE V. Capulet’s Garden.
SCENE VI. Friar Lawrence’s Cell.
ACT III
SCENE I. A public Place.
SCENE II. A Room in Capulet’s House.
SCENE III. Friar Lawrence’s cell.
SCENE IV. A Room in Capulet’s House.
SCENE V. An open Gallery to Juliet’s Chamber, overlooking the Garden.
ACT IV
SCENE I. Friar Lawrence’s Cell.
SCENE II. Hall in Capulet’s House.
SCENE III. Juliet’s Chamber.
SCENE IV. Hall in Capulet’s House.
SCENE V. Juliet’s Chamber; Juliet on the bed.
ACT V
SCENE I. Mantua. A Street.
SCENE II. Friar Lawrence’s Cell.
SCENE III. A churchyard; in it a Monument belonging to the Capulets.
THE TAMING OF THE SHREW
Contents
Dramatis Personæ
SCENE: Sometimes in Padua, and sometimes in PETRUCHIO’S house in the country.
INDUCTION
SCENE I. Before an alehouse on a heath.
SCENE II. A bedchamber in the LORD’S house.
ACT I
SCENE I. Padua. A public place.
SCENE II. Padua. Before HORTENSIO’S house.
ACT II
SCENE I. Padua. A room in BAPTISTA’S house.
ACT III
SCENE I. Padua. A room in BAPTISTA’S house.
SCENE II. The same. Before BAPTISTA’S house.
ACT IV
SCENE I. A hall in PETRUCHIO’S country house.
SCENE II. Padua. Before BAPTISTA’S house.
SCENE III. A room in PETRUCHIO’S house.
SCENE IV. Padua. Before BAPTISTA’S house.
SCENE V. A public road.
ACT V
SCENE I. Padua. Before LUCENTIO’S house.
SCENE II. A room in LUCENTIO’S house.
THE TEMPEST
Contents
Dramatis Personæ
SCENE: The sea, with a Ship; afterward an Island.
ACT I
SCENE I. On a ship at sea; a tempestuous noise of thunder and lightning heard.
SCENE II. The Island. Before the cell of Prospero.
ACT II
SCENE I. Another part of the island.
SCENE II. Another part of the island.
ACT III
SCENE I. Before Prospero’s cell.
SCENE II. Another part of the island.
SCENE III. Another part of the island.
ACT IV
SCENE I. Before Prospero’s cell.
ACT V
SCENE I. Before the cell of Prospero.
EPILOGUE
THE LIFE OF TIMON OF ATHENS
DRAMATIS PERSONAE
SCENE: Athens and the neighboring woods ACT I. SCENE I. Athens. TIMON'S house
SCENE II. A room of state in TIMON'S house
ACT II. SCENE I. A SENATOR'S house
SCENE II. Before TIMON'S house
ACT III. SCENE I. LUCULLUS' house
SCENE II. A public place
SCENE III. SEMPRONIUS' house
SCENE IV. A hall in TIMON'S house
SCENE V. The Senate House
SCENE VI. A banqueting hall in TIMON'S house
ACT IV. SCENE I. Without the walls of Athens
SCENE II. Athens. TIMON's house
SCENE III. The woods near the sea-shore. Before TIMON'S cave
ACT V. SCENE I. The woods. Before TIMON's cave
SCENE II. Before the walls of Athens
SCENE III. The TIMON's cave and a rude tomb seen
SCENE IV. Before the walls of Athens
THE TRAGEDY OF TITUS ANDRONICUS
SCENE: Rome and the neighborhood ACT 1. SCENE I. Rome. Before the Capitol
ACT II. SCENE I. Rome. Before the palace
SCENE II. A forest near Rome
SCENE III. A lonely part of the forest
SCENE IV. Another part of the forest
ACT III. SCENE I. Rome. A street
SCENE II. Rome. TITUS' house
ACT IV. SCENE I. Rome. TITUS' garden
SCENE II. Rome. The palace
SCENE III. Rome. A public place
SCENE IV. Rome. Before the palace
ACT V. SCENE I. Plains near Rome
SCENE II. Rome. Before TITUS' house
SCENE III. The court of TITUS' house
THE HISTORY OF TROILUS AND CRESSIDA
Contents
Dramatis Personæ
SCENE: Troy and the Greek camp before it PROLOGUE
ACT I
SCENE I. Troy. Before PRIAM’S palace.
SCENE II. Troy. A street.
SCENE III. The Grecian camp. Before AGAMEMNON’S tent.
ACT II
SCENE I. The Grecian camp.
SCENE II. Troy. PRIAM’S palace.
SCENE III. The Grecian camp. Before the tent of ACHILLES.
ACT III
SCENE I. Troy. PRIAM’S palace.
SCENE II. Troy. PANDARUS’ orchard.
SCENE III. The Greek camp.
ACT IV
SCENE I. Troy. A street.
SCENE II. Troy. The court of PANDARUS’ house.
SCENE III. Troy. A street before PANDARUS’ house.
SCENE IV. Troy. PANDARUS’ house.
SCENE V. The Grecian camp. Lists set out.
ACT V
SCENE I. The Grecian camp. Before the tent of ACHILLES.
SCENE II. The Grecian camp. Before CALCHAS’ tent.
SCENE III. Troy. Before PRIAM’S palace.
SCENE IV. The plain between Troy and the Grecian camp.
SCENE V. Another part of the plain.
SCENE VI. Another part of the plain.
SCENE VII. Another part of the plain.
SCENE VIII. Another part of the plain.
SCENE IX. Another part of the plain.
SCENE X. Another part of the plain.
TWELFTH NIGHT: OR, WHAT YOU WILL
Contents
Dramatis Personæ
SCENE: A City in Illyria; and the Sea-coast near it.
ACT I.
SCENE I. An Apartment in the Duke’s Palace.
SCENE II. The sea-coast.
SCENE III. A Room in Olivia’s House.
SCENE IV. A Room in the Duke’s Palace.
SCENE V. A Room in Olivia’s House.
ACT II.
SCENE I. The sea-coast.
SCENE II. A street.
SCENE III. A Room in Olivia’s House.
SCENE IV. A Room in the Duke’s Palace.
SCENE V. Olivia’s garden.
ACT III.
SCENE I. Olivia’s garden.
SCENE II. A Room in Olivia’s House.
SCENE III. A street.
SCENE IV. Olivia’s garden.
ACT IV.
SCENE I. The Street before Olivia’s House.
SCENE II. A Room in Olivia’s House.
SCENE III. Olivia’s Garden.
ACT V.
SCENE I. The Street before Olivia’s House.
THE TWO GENTLEMEN OF VERONA
DRAMATIS PERSONAE
SCENE: Verona; Milan; the frontiers of Mantua ACT I. SCENE I. Verona. An open place
SCENE II. Verona. The garden Of JULIA'S house
SCENE III. Verona. ANTONIO'S house
ACT II. SCENE I. Milan. The DUKE'S palace
SCENE II. Verona. JULIA'S house
SCENE III. Verona. A street
SCENE IV. Milan. The DUKE'S palace
SCENE V. Milan. A street
SCENE VI. Milan. The DUKE's palace
SCENE VII. Verona. JULIA'S house
ACT III. SCENE I. Milan. The DUKE'S palace
SCENE II. Milan. The DUKE'S palace
ACT IV. SCENE I. The frontiers of Mantua. A forest
SCENE II. Milan. Outside the DUKE'S palace, under SILVIA'S window
SCENE III. Under SILVIA'S window
SCENE IV. Under SILVIA'S Window
ACT V. SCENE I. Milan. An abbey
SCENE II. Milan. The DUKE'S palace
SCENE III. The frontiers of Mantua. The forest
SCENE IV. Another part of the forest
THE TWO NOBLE KINSMEN:
PROLOGUE.
ACT I SCENE 1. (Athens. Before a temple.)
SCENE 2. (Thebs).
SCENE 3. (Before the gates of Athens.)
SCENE 4. (A field before Thebes. Dead bodies lying on the ground.)
SCENE 5. (Another part of the same.)
ACT II SCENE 1. (Athens. A garden, with a prison in the background.)
SCENE 2. (The prison)
SCENE 3. (The country near Athens.
SCENE 4. (Athens. A room in the prison.)
SCENE 5. (An open place in Athens.)
SCENE 6. (Before the prison.)
ACT III SCENE 1. (A forest near Athens.)
SCENE 2. (Another Part of the forest.)
SCENE 3. (Same as Scene I.)
SCENE 4. (Another part of the forest.)
SCENE 5. (Another part of the forest.)
SCENE 6. (Same as Scene III.)
ACT IV SCENE 1. (Athens. A room in the prison.)
SCENE 2. (A Room in the Palace.)
SCENE 3. (A room in the prison.)
ACT V SCENE 1. (Before the Temples of Mars, Venus, and Diana.)
SCENE 2. (A darkened Room in the Prison.)
SCENE 3. (A Place near the Lists.)
SCENE 4. (The same; a Block prepared.)
EPILOGUE
THE WINTER’S TALE
Contents
Dramatis Personæ
Scene: Sometimes in Sicilia; sometimes in Bohemia.
ACT I
SCENE I. Sicilia. An Antechamber in Leontes’ Palace.
SCENE II. The same. A Room of State in the Palace.
ACT II
SCENE I. Sicilia. A Room in the Palace.
SCENE II. The same. The outer Room of a Prison.
SCENE III. The same. A Room in the Palace.
ACT III
SCENE I. Sicilia. A Street in some Town.
SCENE II. The same. A Court of Justice.
SCENE III. Bohemia. A desert country near the Sea.
ACT IV
SCENE I.
SCENE II. Bohemia. A Room in the palace of Polixenes.
SCENE III. The same. A Road near Shepherd’s cottage.
SCENE IV. The same. A Shepherd’s Cottage.
ACT V
SCENE I. Sicilia. A Room in the palace of Leontes.
SCENE II. The same. Before the Palace.
SCENE III. The same. A Room in Paulina’s house.
A LOVER’S COMPLAINT
THE PASSIONATE PILGRIM
THE PHOENIX AND THE TURTLE
THE RAPE OF LUCRECE
TO THE
THE ARGUMENT.
VENUS AND ADONIS
TO THE RIGHT HONOURABLE HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON, and Baron of Titchfield.
VENUS AND ADONIS

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