St Leon(Kobo/電子書)

The following passage from a work, said to be written by the late Dr. John Campbel, and entitled Hermippus Redivivus, suggested the first hint of the present performance.

"There happened in the year 1687, an odd accident at Venice, that made a very great stir then, and which I think deserves to be rescued from oblivion. The great freedom and ease with which all persons, who make a good appearance, live in that city, is known sufficiently to all who are acquainted with it; such therefore will not be surprised, that a stranger, who went by the name of signor Gualdi, and who made a considerable figure there, was admitted into the best company, though no body knew who or what he was. He remained at Venice some months, and three things were remarked in his conduct. The first was, that he had a small collection of fine pictures, which he readily shewed to any body that desired it; the next, that he was perfectly versed in all arts and sciences, and spoke on every subject with such readiness and sagacity, as astonished all who heard him; and it was in the third place observed, that he never wrote or received any letter; never desired any credit, or made use of bills of exchange, but paid for every thing in ready money, and lived decently, though not in splendour.

"This gentleman met one day at the coffee-house with a Venetian nobleman, who was an extraordinary good judge of pictures: he had heard of signor Gualdi's collection, and in a very polite manner desired to see them, to which the other very readily consented. After the Venetian had viewed signor Gualdi's collection, and expressed his satisfaction, by telling him, that he had never seen a finer, considering the number of pieces of which it consisted; he cast his eye by chance over the chamber-door, where hung a picture of this stranger. The Venetian looked upon it, and then upon him. This picture was drawn for you, sir, says he to signor Gualdi, to which the other made no answer, but by a low bow. You look, continued the Venetian, like a man of fifty, and yet I know this picture to be of the hand of Titian, who has been dead one hundred and thirty years, how is this possible? It is not easy, said signor Gualdi, gravely, to know all things that are possible; but there is certainly no crime in my being like a picture drawn by Titian. The Venetian easily perceived by his manner of speaking, that he had given the stranger offence, and therefore took his leave.

"He could not forbear speaking of this in the evening to some of his friends, who resolved to satisfy themselves by looking upon the picture the next day. In order to have an opportunity of doing so, they went to the coffee-house about the time that signor Gualdi was wont to come thither, and not meeting with him, one of them who had often conversed with him, went to his lodgings to enquire after him, where he heard, that he had set out an hour before for Vienna. This affair made a great noise, and found a place in all the news-papers of that time."

It is well known that the philosopher's stone, the art of transmuting metals into gold; and the elixir vitæ, which was to restore youth, and make him that possessed it immortal, formed a principal object of the studies of the curious for centuries. Many stories, beside this of signor Gualdi, have been told, of persons who were supposed to be in possession of those wonderful secrets, in the search of which hundreds of unfortunate adventurers wasted their fortunes and their lives.

It has been said of Shakespear, that he Exhausted worlds, and then imagined new; but the burthen sustained by Shakespear was too heavy for the shoulders of any other individual. I leave the first part of the task above mentioned to be divided among those celebrated novelists, living and dead, who have attempted to delineate the scenes of real life. In this little work I have endeavoured to gain footing in one neglected track of the latter province. The hearts and the curiosity of readers have been assailed in so many ways, that we, writers who bring up the rear of our illustrious predecessors, must be contented to arrive at novelty in whatever mode we are able. The foundation of the following tale is such as, it is not to be supposed, ever existed. But, if I have mixed human feelings and passions with incredible situations, and thus rendered them impressive and interesting, I shall entertain some hope to be pardoned the boldness and irregularity of my design.

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