商品編號:DYARGF-A900HBPKR

iPhone 13/14 6.1吋 BLAC Aurora極光霧透 MagSafe iPhone手機殼 霧藍紫

$1,390
$2,290
折價券
  • 活力經典兼備。融合潮流經典
  • MagSafe磁吸 超越軍規防摔等級
  • 四角硬派氣囊,專利BubblePro® 減震
  • 登記送

    通訊指定品單筆滿$15,000登記送400P幣 (使用效期30天/限量)

  • 登記抽

    手機配件指定品單筆滿$1,000登記抽最高999P幣(使用效期30天) 

  • 登記送

    App限定-全站指定單筆滿$2500登記送雙11獨享券(限量/效期2024/11/4~11/12)

付款方式
出貨
  • 廠商出貨
    本商品不受24h到貨限制
配送
實際運費計算依結帳頁為準
  • 宅配到府(本島/低溫)
    滿$699免運
  • 宅配到府(本島/常溫)
    滿$490免運
  • 超商取貨(常溫)
    滿$350免運
  • 超商取貨(低溫)
    滿$699免運
  • i郵箱(常溫)
    滿$290免運
商品詳情
  • blac極光霧透 MagSafe iPhone 手機殼2MBUBBLEPROTOYSELECT ITEM CATALOG 2023防手滑||抗指紋 ||抗衝擊||高減震||強磁吸|
  • MSAFE DESIGN 強磁吸支援無線充電及 MagSafe 功能MagSafe CompatibleMagSafe 吸力達 8N-9N霧面抗污背板能有效抵禦指紋並通過抗菌檢測有效抵抗 99.9% 細菌 超強吸力降低指紋極致抗菌GAE
  • PROPRIETARY TEHNOLOGYMIL-STD-810GMILITARYGRADEPROTECTIONCCHECK POINT奈米氣泡吸收衝擊LE2M26次落測試專利 BUBBLE PRO超強減震科技材料Proprietary TechnologyMIL-STD-810G添加專利 BUBBLE PRO 科技材料不只超抗摔還能達高強效減震整體僅有33g,拒絕厚重防摔
  • FRDOM 極自由多款顏色配件EE打造質感個人風格Boundless Freedom多款不同顏色鏡頭框及按鍵組自由打造個人獨特風格更添加專利 BUBBLE PRO 材料讓鏡頭周圍也達到高防護CHECK POINT鏡頭框及螢幕邊緣1.5mm超高防護◇ 邊緣加高CHECK POINT側邊斜紋設計側邊斜紋抓手力超提升blac[原始配置為同色鏡頭框及按鍵組,其他需至另外賣場加購]
  • STRAP STYLE 極解放自由增添掛環變身繩掛輕鬆搭配Chnge To Strap Case配上一條好看的掛繩創造屬於自己的多元風格讓你解放雙手隨心所欲a 3色掛環(太空銀/玫瑰金/閃耀金)[如欲增加掛環或同色掛繩,需至另外加購]
  • Archite
  • DYARGF-A900HBPKR
  • Falvo we asked o desig a series o vilios Beech Forest a small town in Victorias Colac Otway Shire They were also asked to an overall lscape and strategy for twersdevelopment of the site a sandstonectureexhibitOtway Ranges that the agencyonstructedas a research art, design ander years of, he and his establishedallows them ton the architecture Trowers early part of their ojects, test and challenge their can be exhibited andy to the architecture Rather-to-form vignettes, the duoorks open,, each model divulging that are physical abstraconsThe models engage negative space-between spaces of architecture: the by the user or the structureson the environmentsculptural works are made primarily from plywood, selected for its unforgiving butdurable material properties, but the duo alsoconsider purpose and scale when choosingmaterials For example, Falvo explains, on a onen-scale facade study of one of our projects,ncrete and steel to test the proportionsf steel sliding door components, in collaborationTrower and agency Theseand minimaliThe resulting artwdepict humans inHuman pairreversiEarth,the prthe Anenquiryindustryswith the environment surrouartworks revework doesnt ariseway to inform a new interventionnovel and thougperspective, says .between human and site reformal, historical and culturalideas of impact. The abstraction process revealsperson and development leaves traces andmarks. And even though these artworks arentTrower and Falvos artworks expose ti.ecological impact of the built enviro.appearing to present a deconstructionarchitecture that is underpinned by fundamentaan access point for the viewer to consider thevolume and experience of a site how eachnecessarily abstract, the absence of familiarthem open to myriad interpretations.markers that define a map or a location leaves
  • o he achectureave etablisheds, he and hisyears ofructedch allows them toleave the artwks open, each model divulggin creating true-to-form vignettes, the duoindependentlyit the relts can be exhibited andprecise gestures that are physical abstractionsto the architecture Ratheran integral part of their projects inrporates Trowers earlyor the in-between spaces of architecture: thespaces inhabited by the user or the structurestraces on the environmentnderstand, test and challenge theirof location The models engage negative spaceThe sptural works are made primarily fromh plywood, selected for its unforgiving butmaterial properties, but the duo alsopurpose and scale when choosingor example, Falvo explains, on a oneade study of one of our projects, door componentsd steel to test the proportions, in collaboration agency TheseTrower andas a research, art, design and educationOtway Ranges that the agency bought to dan overall landscape and strategy for the gradualdevelopment of the site, a sandstone quarry in thetway Shire They were also asked to considerech Forest, a small town in Victorias Colac asked to design a series of pavilionsdepict humans impact on tThe resulting artworks, renderand minimal interfaces Human processes, inirreversibly Earth, the cothe projectthe Anthenquiry tindustrywork doesnt anovel and thperspective, saysartworks rbetween human andswith the environment suformal, historical and culTrower and Falvos artworks expoecological impact of the built enappearing to present a deconstrucarchitecture that is underpinned by fundamway to inform a new .an access point for the viewer to consider thevolume and experience of a siteideas of impact. The abstraction process reve.how eachperson and development leaves traces andnecessarily abstract, the absence of familiarmarkers that define a map or a location leavesthem open to myriad interpretations.marks. And even though these artworks arent
  • Consucte a research, , desgn anddevelopment of the site, a sandstone quarOtway Ranges that the agency  were asked to design a series of pavilionsBeech Forest, a small town in Victorias ColacOtway Shire y were al asked to consideran overall landscape and strategy for the gradexhibit yearsofhe resulting artdepict and mininon both the architecturewhich allows them to, have established, he and his independently to the architecture Ratheras, but the results can be exhibited and understand, test and challenge their as an integral part of their projects firm incorporates Trowers earlythan creating true-to-form vignettes, the leave the artworks open, each model divulgingprecise gestures that are physical abstractionsof location The models engage negative spaceor the in-between spaces of architecture: thespaces inhabited by the user or the structurestraces on the environment.The sculptural works are made primarily fromplywood, selected for its unforgiving butmaterial properties, but the duo alsopurpose and scale when choosingr example, Falvo explains, on a onede study of one of our projects,d steel to test the proportionsJiding door components., in collaborationary agency TheseTrower andthe projecHumanirreversiEarth, tindustrys enquiry that ithe Anthrowork doesnt arise soperspective, says Twith the environment formal, historical and cultuTrower and Falvos artworks expecological impact of the builtappearing to present a deconstarchitecture that is underpinned by funartworks reveal anovel and thoughtan access point for the viewer to considbetween human and sitevolume and experience of a site howway to inform a new intervennecessarily abstract, the absence of familiarideas of impact. The abstraction processperson and development leaves traces amarks. And even though these artworks markers that define a map or a location leavesthem open to myriad interpretations.
  • w aked  degn a series of pavilions Beech Forest a small town  Victorias Colac Otway Shire They were also asked to er an overall lscape  strategy for the gradualcture development of the site, a sstone quarry in the Otway Ranges that the agency bought to developtructed as a research, art, design and education si ofand hisThe resulting artworks, renderstablisheddepict humans impact on ths them toand minimal interfaces wiHuman processes,  Earth, the coTrowers earlytheir prosthe projectthe challenge theirenquirexhibited and indusnitecture Ratherartwoignettes, the duoin model divulgingysical abstractionsgage negative spaceof architecture: the or the structuresre made primarily fromd for its unforgiving butperties, but the duo alsoand scale when choosingple, Falvo explains, on a onestudy of one of our projects,and steel to test the proportionseel sliding door componentsject titled Quarry, in collaborationtal interdisciplinary agency These We Do Together, Trower andwork doperspective,between humawith the way to inform a new informal, historical aTrower and Falvos artworkecological impact of the buappearing to present a decoarchitecture that is underpinned by toideas of impact. The abstraction procesperson and development leaves traces andan access point for the viewer to considmarks. And even though these artworks arentvolume and experience of a site  how e.necessarily abstract, the absence of familiarmarkers that define a map or a location leavesthem open to myriad interpretations.
  • srted  a of a  were asked  design a series of pavilisin Beech Forest a small wn in Victorias Colac t   Shire Ty were also asked to consider  an overall lscape and strategy architecture development of  site a ndhe   deconstructed after years ofas  he and his have establishedwhich allows them to Ranges  the ageas a research art, designThe resulting adepict humaand  the architecture  Trowers early th part of their projects the and challe their can be exhibited andto the architecture Ratherto vignettes, the open,  model divulgingthat are physical abstractions engage negative space of architecture: theby the  or the works are made primarily from selected for its unforgiving but properties, but the duo also and scale when choosing,  explains, on a onefacade  of one of our projects, and  to test the proportionson of steel  door componentst project  , in collaboration interdisciplinary agency These We Do Together, Trower andengartworksnovel and twork doesnt aperspective, between human and sawith the environment way to inform a new interventioformal, historical and Trower and Falvos artworks exposeecological impact of the built enviroappearing to present a deconstructionarchitecture that is underpinned by fundamentaideas of impact The abstraction process revealsan access point for the viewer to consider thevolume and experience of a site  how eachmarks. And even though these artworks arentperson and development leaves traces andnecessarily abstract, the absence of familiarmarkers that define a map or a location leavesthem open to myriad interpretations.
  • betwewith the, histo inmaand Falvos artwkimpact of the builtto presentadeconstruchat is underpinned by fundamentThe abstraction process revealsfor the viewer to consider theence of a site how  leaves traces and these artworksabsenceorblac
  • DYARGF-A900HBPKR
  • DYARGF-A900HBPKR
  • DYARGF-A900HBPKR
  •  

    BLAC AURORA極光霧透 MAGSAFE手機殼

    延續BLAC品牌理念,活力經典兼備。融合潮流經典,完美平衡風格與性能

    ✧ 玩轉搭配-FUN  ✧

    可搭配 - 鋁合金按鍵 、鏡頭保護框

    可添購 - 螺絲掛環組 ,變身繩掛殼

    ✧ 機能防摔-TOP  ✧

    超越軍規防摔等級

    通過抗菌檢測

    專利BubblePro減震科技材料


     

    ※商品材質:TPU(BubblePro)+霧面半透明PC


    ※商品包邊:四邊全包


    ※商品功能:
    ☑️ 【防手滑】側邊斜紋提升抓握力  

    ☑️ 【極抗菌】通過抗菌檢測,有效抗99.9%細菌

    ☑️ 【抗指紋】霧面抗污背板、抵禦指紋    

    ☑️ 【全保護】螢幕1.5mm超高防護

    ☑️ 【抗衝擊】四角硬派氣囊,專利BubblePro® 減震

    ☑️ 【超輕巧】僅33g羽量級 

    ☑️ 【強吸力】特強磁吸,吸力8N-9N,勝原廠保護殼 

     

    ※注意事項:

    ⦿ 避免手機殼陽光直射

    ⦿ 簡單髒污建議使用清水清洗、一般濕紙巾擦拭,避免使用含有酒精、漂白水等有機溶劑。

    ⦿ 避免將手機殼暴露在極端外在條件下,例如高溫、高濕。

    ⦿ 油膩、手汗、抽菸等皆也可能使手機殼玷污。

    ⦿ 手機殼側邊採用專利Bubble TPU,可大幅增加抗震及止滑效果,此材質不具備抗汙效果,若沾染色素、髒污(EX:口紅、牛仔褲色素、包包內髒污),將不易清潔、甚至無法完全清理掉髒污,擔心染色明顯的消費者,建議選擇深色款式。

     

    ※商品備註:

    ⦿ 依螢幕與解析度不同,圖片顏色略有不同,請以實品顏色為準。

    ⦿ 隨貨附贈原殼色Bubble鏡頭框及按鍵,如需其他顏色可另外加購。

    ⦿ 本品下方有兩個圓孔,可購買螺絲掛環組,鎖上後即可變身繩掛手機殼。

     

    ※吊飾孔:有

規格說明
本商品標準配備 iPhone 13/14 6.1吋 BLAC Aurora極光霧透 MagSafe iPhone手機殼 霧藍紫X1 本商品規格 適用機種:iPhone 13/14 本商品保固 新品瑕疵保固(本商品拆封使用後,除新品瑕疵外恕不接受退、換貨)
標準配備
iPhone 13/14 6.1吋 BLAC Aurora極光霧透 MagSafe iPhone手機殼 霧藍紫
備註
★注意事項: 保固範圍:新品瑕疵可做退換(型號色號購買前請再確認) 注意事項:本產品不包含主機
購物須知
寄送時間
預計訂單成立後7個工作天內送達不含週六日及國定假日。如廠商有約定日將於約定日期內送達,約定日期需於訂單成立後14天內。
送貨方式
透過宅配或是郵局送達。
消費者訂購之商品若經配送兩次無法送達,再經本公司以電話與E-mail均無法聯繫逾三天者,本公司將取消該筆訂單,並且全額退款。
送貨範圍
限台灣本島地區。注意!收件地址請勿為郵政信箱。
若有台灣本島以外地區送貨需求,收貨人地址請填台灣本島親友的地址。
售後服務
新品瑕疵可退換
執照證號&登錄字號
本公司食品業者登錄字號A-116606102-00000-0
關於退貨
  • PChome24h購物的消費者,都可以依照消費者保護法的規定,享有商品貨到次日起七天猶豫期的權益。(請留意猶豫期非試用期!!)您所退回的商品必須回復原狀(復原至商品到貨時的原始狀態並且保持完整包裝,包括商品本體、配件、贈品、保證書、原廠包裝及所有附隨文件或資料的完整性)。商品一經拆封/啟用保固,將使商品價值減損,您理解本公司將依法收取回復原狀必要之費用(若無法復原,費用將以商品價值損失計算),請先確認商品正確、外觀可接受再行使用,以免影響您的權利,祝您購物順心。
  • 如果您所購買商品是下列特殊商品,請留意下述退貨注意事項:
    1. 易於腐敗之商品、保存期限較短之商品、客製化商品、報紙、期刊、雜誌,依據消費者保護法之規定,於收受商品後將無法享有七天猶豫期之權益且不得辦理退貨。
    2. 影音商品、電腦軟體或個人衛生用品等一經拆封即無法回復原狀的商品,在您還不確定是否要辦理退貨以前,請勿拆封,一經拆封則依消費者保護法之規定,無法享有七天猶豫期之權益且不得辦理退貨。
    3. 非以有形媒介提供之數位內容或一經提供即為完成之線上服務,一經您事先同意後始提供者,依消費者保護法之規定,您將無法享有七天猶豫期之權益且不得辦理退貨。
    4. 組合商品於辦理退貨時,應將組合銷售商品一同退貨,若有遺失、毀損或缺件,PChome將可能要求您依照損毀程度負擔回復原狀必要之費用。
  • 若您需辦理退貨,請利用顧客中心「查訂單」或「退訂/退款查詢」的「退訂/退貨」功能填寫申請,我們將於接獲申請之次日起1個工作天內檢視您的退貨要求,檢視完畢後將以E-mail回覆通知您,並將委託本公司指定之宅配公司,在5個工作天內透過電話與您連絡前往取回退貨商品。請您保持電話暢通,並備妥原商品及所有包裝及附件,以便於交付予本公司指定之宅配公司取回(宅配公司僅負責收件,退貨商品仍由特約廠商進行驗收),宅配公司取件後會提供簽收單據給您,請注意留存。
  • 退回商品時,請以本公司或特約廠商寄送商品給您時所使用的外包裝(紙箱或包裝袋),原封包裝後交付給前來取件的宅配公司;如果本公司或特約廠商寄送商品給您時所使用的外包裝(紙箱或包裝袋)已經遺失,請您在商品原廠外盒之外,再以其他適當的包裝盒進行包裝,切勿任由宅配單直接粘貼在商品原廠外盒上或書寫文字。
  • 若因您要求退貨或換貨、或因本公司無法接受您全部或部分之訂單、或因契約解除或失其效力,而需為您辦理退款事宜時,您同意本公司得代您處理發票或折讓單等相關法令所要求之單據,以利本公司為您辦理退款。
  • 本公司收到您所提出的申請後,若經確認無誤,將依消費者保護法之相關規定,返還您已支付之對價(含信用卡交易),退款日當天會再發送E-mail通知函給您。